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I was recently offered the opportunity to talk with David Tulloch about the possibility of a new, completely real documentary film based on the novel. My own thinking was that the new project is based entirely on the real story behind The Killing, a book that was first published in 1983 and later in 1985 and which was edited into 15 episodes that included a brief narration by Richard Auberjonois. One of the things that intrigued me about the documentary was the subject he’s writing about. He described the project as a new frontier for cinema.
The film explores the subject, as is my own practice. What struck me a bit after watching The Killing was how very much it really feels like a film. It’s about a man who goes on a killing spree and manages to kill his own family in the pursuit of his career. There’s a lot that’s missing, but with the exception of a few scenes showing him walking away as a suicide bomber, all the main characters, including the mother, are human beings. The fact I found them so much fascinating, especially because I didn’t just see the murder as a plot point (and how the world would be different if they were) I was struck that the real point in the novel was that our pasts are made to look like something you have learned in history.
Why was this different from earlier film stories There’s an interesting argument to be had about which of these works really got that particular sort of buzz, but I digress.
Tulloch wrote a story about an alien in a small town. It was inspired by John Steinbeck’s The Man Who Sold New York. The book was originally published in 1981, but was also later adapted into a screenplay and edited into a series of books. My goal was not a new book but to make sure that the main character had a meaningful emotional and spiritual journey and one that took place in the real world, a setting in which the reader could see and feel his own story.
It was inspired by a story I came across in my undergraduate year of university at
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